![]() Indeed, few would easily identify the auteur behind Taxi Driver (1976), Raging Bull (1980), and Cape Fear (2006) as one and the same with the director of Hugo. Hugo contains neither shocking violence nor overt religious imagery-two hallmarks of Scorsese’s work. I think it is a fantastic mystery movie that both boys and girls will enjoy.Martin Scorsese’s Hugo (2011) both challenges popular expectations of a “Scorsese film” and affirms his noted passion for film history. Overall, I highly recommend renting or buying a copy of Hugo on DVD. Although this technique did increase my emotional investment in the character of Hugo, I think I would have been just as immersed in the story if it had moved along at a quicker pace. Nonetheless, I found the beginning too slow and detailed. These are important details to move the story line forward since the answers to these questions unfold throughout the movie in interesting and dramatic ways. For example, establishing why Hugo has an automaton, why he lives in the walls of the train station, why he keeps the clocks running takes a very long time. Establishing each of the characters and their personal mystery was painstaking, but for me it was also tedious. One of the few problems I found was that the pacing, especially in the beginning, was too slow for my taste. Additionally, the screen play itself is incredibly touching and fun. ![]() I really think that the special effects department does a grade A job. One scene that I found particularly fantastic is a steampunk nightmare scene in which cogs and gears turn Hugo into an automaton. The special effects, the automaton, and the clockworks are so important to the story line that they can also be considered “characters” in the movie. Chloë Grace Moretz as an adventurous and bold type of girl will engage female audience members who might think this is a “guy” film. Ben Kingsley, as Papa George, masterfully represents an old man with demons he is trying to forget. Asa Butterfield, as Hugo, captures the essence of a curious teenager who is trying to figure out how the world works. One of the greatest things about Hugo is the acting. The character of Papa George is based on the historical filmmaker George Méliès, the first person to ever use special effects in movies. ![]() Together they discover the mystery of Papa George’s past and the tragedy that made him such a bitter old man. She is also Hugo’s “hero” in that she saves him from the wrath of Papa George. Moretz portrays Isabel’s character as an adventurous young woman with heart, who loves to read and solve mysteries as much as Hugo. Hugo befriends Isabel (played by Chloë Grace Moretz), the niece of the toy maker. After several tense interactions, Papa George gives Hugo a job in his shop repairing toys. Ben Kingsley’s portrayal of Papa George as a broken man with a frightening temper is simultaneously heartrending and terrifying. He gets his best parts by pilfering from a cranky toy maker, Papa George, who has a shop in the station. Hugo scavenges bits and pieces he finds throughout the station. The automaton is also missing an important part, which is the key to winding the internal clockwork to make the robot run. Hugo is convinced that the automaton contains a secret message from his father - yet another mystery to solve. An automaton is an early form of robot which was motorized by gears like a clock. In addition to keeping the station clocks running, Hugo is trying to restore an automaton that was left to him by his deceased father. He is avoiding detection by the train station security guard, played in a sinister way by Sacha Baron Cohen. Hugo has been orphaned and he is hiding out in the train station keeping the clocks running. As the movie goes on we learn the mystery of Hugo’s story.
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